Saturday, April 24, 2010

UAE : the new frontier of on line content creation




A couple of weeks ago was announced that Google was working together with Sony, Logitech and other blue chips on a project under the name of GoogleTV. The new device will be powered by Android 1.5 and will "bring the Web into the living room through a new generation of televisions and set-top boxes"

Now this is by far not the first time that somebody is trying to bring the Web to the living room, but we also know that when Google decides to go towards one direction, they might be in beta for quite some time, but they will get there; furthermore as Google is the largest advertising agency on the planet there are no doubts that this move is both strategic and inevitable.

Bringing the Web on our TV sets is clearly a move generated not only by the efforts of generating more ad revenues but also a sign of the big failure of mainstream content producers and broadcasters that have "ignored " the new medium and its potentials.

Mainstream producers have experienced a constant loss of revenues due to the raise of file sharing and broadband's growth and instead of rethinking their business models they have focused their efforts in developing new controlled distribution models that could contain their losses. This is exactly the same mistake that the music industry made through the DRM ( Digital Rights Management ) model: it did not work because on a technology point of view there is always a " way around ", and once this way around is of public domain the copy protection model becomes immediately obsolete.

TV is also responsible for generating tremendously "lousy" content in a run to provide quantity and hardly never quality. The reduced costs of satellite bandwidth together with the developments of highly performing compression codecs have sparked the growth of hundreds of satellite channels; the quality of content in these channels is known to everybody with a satellite decoder.

Not long ago, the ownership of a Satellite TV channel was seen as a political and financial statement, but not anymore; the recent merge of Orbit and Showtime is another sign of the failure of the traditional model because the running costs surpassed largely the potential revenues. It is also my strong conviction that this failed model is not only a consequence of the reduced audience ( migrated on line) but also due of the failure in delivering quality content.

The Middle East has been constantly flooded with western content, mostly subtitled and poorly edited to fit the local cultural environments; media buyers never doubted that local markets will die to watch The Sopranos or Desperate Housewives, but also never hesitate in considering Dr Phil, Oprah or The Bold and the Beautiful as equally appealing products. Now quality series such as the Sopranos do have an international appeal due to its high standards in the story-line and production elements, but I still need to be convinced that local audiences are still craving for The Bold and the Beautiful.

The late nineties have also witnessed the spread of the formats where the " one size fits all " rule developed monsters such as the Middle Eastern version of Big Brother and similar decontextualized amenities. Although some of these productions were initially interesting on a social point of view they did not stand one chance compared to what I can access browsing YouTube in any given day.

Digital multi channel bouquets packages are dead, and if I subscribe to one of any given offer is simply because I am interested in "one" product, whatever that is, a sport event, a documentary or a cartoon channel whose content I cannot retrieve (still) online.

So legions of user are migrating to "random access" virtual places where content is available at any time, for free; mainstream is counter attacking by implementing 3D in any possible sauce, but this will only slow down the inevitable death of its model.

So if the future is online and Google wants to "bring the Web into the living room through a new generation of televisions and set-top boxes", what is going to happen in the Middle East where, according to many TV executives I know, " Change in this part of the globe happens very, very slowly.. "? Well, as a start, it is very entertaining to witness the "digital media convergence" plans of various Middle Eastern broadcasters that believe that attaching a Facebook page and a twitter feed to individual production will do the trick; number one it does not do the trick because digital convergence it's not at all that easy, and number two because the key word for these kind of operation is "conversation" and the only conversation Arab broadcasters are interested into are the ones with advertisers.

The game is much more complicated than this because listening is not a technique you can learn overnight and especially after decades of one way conversations such as "we know better what content you will like, we are the experts after all.. " it is even more tricky.

On the other hand I do strongly believe in a new media renaissance originated also from this part of the world; after decades of importing media goods as if they were commodities like cereals or pharmaceutical products the times has come to start exporting locally generated media contents online and towards the outer world. The internet is offering many opportunities, and couple this with the fast growing generation of young media savvy consumer - producers, it is not a blasphemy to predict that many interesting production will flourish from the Middle East and North Africa.

If we get a closer look at the internet penetration numbers ( Internet World Stats) in the Region we will understand that the UAE is at the top regardless the still costly internet access; furthermore the UAE has one of the strongest expat community in the Region making it the perfect ground for original stories to be generated and exported. If we look at the online social media scene in the UAE we will also be positively surprised by the numbers and depth of the conversations taking place every day; sooner than later one of these conversations will become a catalyst for a web series, a short movie, or a full feature film.

If mainstream media in the Region will still perceive all this simply as user generated content, produced by amateurs for amateurs without embracing the change, it will result into another nail in their coffin.

The UAE as the new frontier for on line content creation? Yes, why not? The signs are all there.


Above, Fujairah hills.

8 comments:

Unknown said...

You are spot on, dude.

I agree with everything you wrote. Except for quality content originating from the Middle East, and being consumed by non-Arabs. Too many religious and governmental restrictions aren't conducive to perpetuating a creative environment.

So until then, second-rate, uber-edited, over-dubbed, underwhelming is what they'll keep shoving in people's faces, smothered with crappy TV commercials.

Giorgio Ungania said...

I can see your point of view Frenzy, but I do strongly believe that the online arena is still a pretty open space,also in the UAE. Regarding mainstream weak contents,it is only a matter of time; once advertisers will realize that what they can spend on line is a fraction of what they are dishing out for a 30 sec slots on TV, they will make their calculations; even if at these latitudes media buyers and advertisers are most of he times cousins or somehow relatives, money is money, at the end of the day. Regardless, on a Friday afternoon do we prefer to see on DVD 6 episodes of a series back to back, or we are still patient enough to wait weekly episodes on the big box? My call is that audiences, regardless age groups, have no more patience left and want their content on their own terms.

The Culturist said...

It would be great to see original online content creation here. But if sites like Flickr still blocked, I am skeptical about how open this place is to seeing original/creative content here.

Just like TV, we still rely on seeing good online content that originates from the West.

I can't help but feel skeptical if we still have bodies blocking certain sites like Flickr (remember when YouTube was blocked) where we can't share our creativity online to be able to communicate/build community and opportunity to export creative minds originating from here.

Some of the so called established still don't really get the online audience here and don't necessarily cater to online readers/viewers. It's just a case of copy/paste from offline to online (bad online advertising, online journals, etc.)

New sites/blogs from this region are coming up, some good quality, some not, so it's a mish mash, somewhat fragmented, but I guess it just needs time to see this being developed to something substantial.

Hind Mezaina
www.theculturist.com
www.hindmezaina.com

Unknown said...

It doesn't matter how much money they spend, they need to be able to create original creative content consistently and quickly.

The talent to create this content is most likely not going to be found in the region. It just doesn't cultivate creativity--at least none appealing on a mass scale.

Of course people want content on their own terms, but in the M.E., they must jump hurdles to access it.

Things move so slow here that by the time they catch up to where much of the world is at now they'll still be decades behind.

When you don't allow people freedom of expression, it becomes embedded in the culture to not have much of a wide-reaching imagination.

This place will not be exporting anything cool in the foreseeable future. They only purchase it from the more capable, then taint it with censorship and uncoolness.

Giorgio Ungania said...

Hind, I think it takes much more than a website blockage to prevent the development of original content; I guess these are psychological barriers rather than real ones.

Frenzy,when you state that "The talent to create this content is most likely not going to be found in the region" I hope you are not referring solely to the Emirati but to the entire resident community.

I personally know you and I also know how much creative juice you possess, so why shoot yourself in the foot?

I might agree that talent is not to be found in excess in the decision making layer of ME media execs but again, the dynamics of the internet will foster the power shift from the "controllers" to the "creatives".

English in Rome said...

I agree with both Giorgio's avant-gardist and idealist approach and with Frenzy's more "down to earth" and realistic views. The Middle East is always a hard nut to crack, no matter what the subject matter, and it takes a lot of courage to bring something new to the market.

But Giorgio, I do understand where you're coming from and where you're going with this and think that you should pursue your ideas to the very end.

Adam Flinter said...

I'm afraid the 'habibi' mafia will be a tougher nut to crack. Why do you think print ad revenues remain so strong and the shift to more focused and targeted online ads hasn't taken off yet?

It is not in the interests of the cabal (print and advertising) for measurable metrics to become the norm here.

And while the clients care more about column inches and namechecks than quality coverage then we will continue to have a problem.

Genuinely creative original content will also always struggle in the face of overwhelming bureaucracy.

Giorgio Ungania said...

Dear Amal I perfectly understand that it is not easy to crack this nut and Adam, I am also fully aware that the "habibi tribe" is still alive and kicking, but I am rather optimistic that a "new frontier" is possible, regardless the hurdles.

I am alerted that all kind of obstacles are still well in place, of course cultural but also coming from the industry itself, threatened from what it can't grasp.

We all know that mainstream TV is evolving into an half on line half off line content distribution system, and the traditional TV promo producers with the job of promoting programming ( that then will sell ads) will be soon replaced by the so called " onlinemediamarketing&prgurus", super humans that are able to sell anything to anybody at anytime of the day ( in multiple languages including Arabic, of course )

As a clear example of this evolution let's take a look into the latest Dubai's trend of New media-Social media & Marketing gatherings-expos : here local mainstream PR and marketing firms meet to learn or display their latest "digital campaigns" and the wonders of Facebook ,Twitter, Buzz and, it goes without saying, discussing about the "ongoing on line conversations".

What wonders me is that during these summits the majority of the time is spent conversing and analyzing how to use the latest social media and marketing technologies to vehicle products and services, rather than instead looking at what the future scenarios will look like and how to cater for them.

This approach is the attempt of the Pan Arab Industry to reinvent itself under the big umbrella of Social Media, but again one element is always missing in these conversations: "original content"

Why we aren't looking into new on line containers (programming) to market the current products and services? Why can't we really go beyond click counts, twitter feeds, on line competition or Facebook ads? Why targeted on line videos ( not ads ), and product placement are so rare in the ME?

The digital conversion cannot not be conceived by trying to put the TV on the Web or the Web on the TV sets but it has to do more with understanding the potentials and limits of each medium and take advantage from both.

This it's not about reinventing, re shaping or post producing the content into new formats but it's more about pioneering something brand new, taking big risks, doing mistakes and figuring out a successful new language that cannot be simply engineered on paper just because it has never been experimented before.

Decision-makers are most of the times those least inclined to innovation because they are required to leave their comfort zone. But again this will be a trial and error process and the current competitive cost of technology can make this process painless.

In this new arena where quality original content can definitely have legs regardless from where it comes from, in an age where personal branding can be more effective than traditional PR & Marketing and most of all with a potential audience of 300 million Arabic speaking people around the globe why it is so complicated to foresee any successful "container" originated from the UAE?

I do.


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Apple Keynote Tips by Giorgio Ungania is licensed under a Creative Commons Attribution 3.0 United States License.
Based on a work at giorgioungania.blogspot.com.